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Years Later, We Dined on Alfredo Garcia

These Colors Don't Run, They Shimmy As Operatic as Charles Francois Gounod

I wish this movie existed. Lee Van Cleef 4-Ever!More than a few tryptophan junkies were able to pull themselves away from the dinner table (then the subsequent fridge full of leftovers) to check out the Brooklyn Academy of Music's pithy "Spaghetti for Thanksgiving" series, a collection of undervalued, hard-to-find spaghetti westerns. Of the four pictures that played through Sunday, this cinephiliac was lucky enough to catch the half starring High Noon villain and Sergio Leone regular Lee Van Cleef, including Giuliani Petroni's 1968 Death Rides a Horse (the more consistent and clever) and Sergio Sollima's 1966 The Big Gundown (the more political and goofy). While neither quite touch Leone's gold standards -- or even such compellingly nasty classics as Sergio Corbucci's Django, The Great Silence (my personal non-Leone fave), and Damiano Damiani's A Bullet for the General -- both of these new finds have me thirstin' to squeeze more subversive bandito action into my Netflix queue. As if it weren't surprising, Ennio Morricone composed amazing scores for both, which leads me to ask you all a couple questions:

1. Why is Morricone's best work heard in second-tier Italian westerns and third-rate giallos?

2. Inspired by my beloved, who refused to attend either night: Would more women be inclined to like this genre if it weren't for the fact that every single spaghetti western features at least one (if not multiple occasions of) rape?

The Last Picture Game Show: Cinephiliac's Contest GIVEAWAY!


Film quizzers, to your stations! "The Palestinian Version of Stripes Got Flagged at My Video Store" was the name of last week's contest, as well as the major clue. Tied together by the colors in their titles, the three films specifically featured the colors of the stripes in the Palestinian flag:

As easily as he ripped off visuals and music from the aforementioned Death Rides a Horse, Tarantino blatantly stole Kill Bill's eyepatch-wearing death nurse from director John Frankenheimer's Black Sunday (1977). In the scene shown, terrorists Bruce Dern and Marthe Keller celebrate over the success of their doomsday dart-gun test, before they attach it to a blimp and aim for the U.S. President-attended Superbowl. Think that's a gonzo premise? It's based on a novel by Thomas "The Silence of the Lambs" Harris. Also of note, wouldn't yesterday's post-Thanksgiving deadline be considered Black Sunday?

Even if you didn't recognize that metallic orb-and-cone, the clue and researchable DVD cover art should have been enough for you to decipher: it's a model of the titular aircraft in Werner Herzog's second best (non-grizzly) documentary released this year, 2004's The White Diamond. Look, I never claimed I wouldn't make you work for those DVD prizes!

Allow me to cheat and blurb a bit from my own DVD review of 2003's Save the Green Planet!: "Outrageously and often simultaneously smudging the lines between alien-conspiracy eco-horror, sober police procedural and Grand Guignol psycho-slapstick, South Korean auteur Jang Jun-Hwan's amazing freakout of a first feature follows the kidnap and subsequent torture of a chemical-corp CEO, believed to be a malevolent space-monster by a sensitive, beekeeping wacko."

GAME 2, ROUND 7:
Bride of Double Feature Mash-Ups


Cheaper by the Dirty Dozen? Deconstructing Harry Potter and the Goblet of Fire? As seen here and here, let's stuff our stuffing-overstuffed faces with a third helping of mashed movies. Please check out one of those two links for instructions on how to play, and remember: ALL THE WORDS FROM BOTH TITLES represented must be included and spelled correctly, not including piddly little prepositions. Rock it:


NAME EACH MOVIE MASH-UP. Earn (1) point for every correct answer, and don't forget to include your name when you send your entry to lastpicturegameshow@gmail.com. (Entries must be received by Sunday, December 4th @ 11:59pm EST.) It's not too late to win luxurious DVDs from The Last Picture Game Show, so enter now, and pray that -- after your eventual demise -- you'll be remembered for something more meritorious than "wax on, wax off." (I kid, because I love.) Good luck!

Click to COMMENT

8 Critics Rave!

Hello, my name is Alex. I'm a non-guesser. For #1 last week I guessed "Black somethingsomething" (correct me if I'm wrong), because I am stupid. My only other guess was...Black Sunday. Why in God's name did I not just put down "Black Sunday" you ask? Because I am stupid. Learn your lesson from me, folks. Put something down.

Alex [03:44AM, 11/28/2005]

I only give the same advice every single week. Guessing never hurt anybody, my good people!

Aaron! [08:31AM, 11/28/2005]

I like Spaghetti Westerns just fine ... the fact that many have rape scenes hasn't deterred me from watching them. I like "A Clockwork Orange" too. The movies that are so overtly sexist or nasty to women that I can't watch them tend to be comedies: stereotypes of perpetually nagging women bother me more than rape scenes.

Jette [11:40AM, 11/28/2005]

I know that dog! The rest has me stumped. Keep yer DVD; I see how it is.

Tuwa [03:39PM, 11/28/2005]

Those are two interesting questions you pose.

While some of Morricone's work for larger films has been outstanding (Once Upon a Time in America, The Mission), it is those smaller films you mention that are far more interesting, and reveal the master's more creative side. Perhaps those directors gave him a greater sense of freedom? I mean, some of his giallo music is not at all what you'd expect from the genre. (All those lush female ba-ba-ba's and such.)

As for the rape -- well, yeah...she's right. There's that seriously disturbing moment in ...Alfredo Garcia where a woman cradles and comforts her rapist just moments after the act. I have no good explanation for it -- maybe it's something the directors/screenwriters imagine is a given in the testosterone-fueled world these films often take place in?

Filmbrain [05:05PM, 11/28/2005]

Despite forgetting to play last week, I am comforted by the knowledge that I wouldn't have guessed correctly anyway.

nilblogette [07:51PM, 11/28/2005]

Speaking of Morricone, are you familiar with John Zorn's album The Big Gundown? Interesting jazz reworkings of various movie themes.

Peter Nellhaus [06:46AM, 12/03/2005]

I have only heard it by name, but that's probably right up my alley. I'll check it out, Peter!

Aaron! [12:30AM, 12/05/2005]

Join the Conversation:

What kind of victory is it when someone is left defeated?I'm as mad as hell and I'm not going to take this anymore!


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Cinephiliac cannot be found in any English dictionary, as only a "cinephile" (film enthusiast) would suffer from "cinephilia" (obsessive love of cinema). To better understand, "Cinephiliac" suffers to the bone from "cinephilia." Cinephiliac is the not-so-secret codename for what will inevitably become the Greatest Film Rental Library (read: "video store") in Brooklyn, NY. We will endorse the preservation of film culture and provide the best in cinema, renting DVDs not often available from larger chains and smaller "mom-and-pop" stores; We will specialize in film festival award winners, independent releases, avant-garde and cult classics, foreign films, documentaries, special interest, arthouse favorites and other critically acclaimed titles, new and old. Large scale studio releases will be only be made lightly available to secondary markets of less discriminating tastes. Cinephiliac exists to attract, entertain, enrich and maintain customers. When we adhere to this maxim, everything else will fall into place. Our services will exceed the expectations of our customers. Cinephiliac is the brainchild of entrepreneuer (and professional film critic) Aaron Hillis, who is still offering Phase I investment opportunities throughout 2005 and 2006. To request online access to Aaron's business plan, address all inquiries here. Aaron Hillis vividly remembers the first R-rated movie his parents ever allowed him to watch, the 1986 sci-fi/action epic Aliens, which features a myriad of gory "chest-bursting" effects that aren't exactly Mom's idea of family entertainment. "My folks weren't worried about the violence having a negative effect on me," Aaron recalls, "because even as a fourth grader, I was basically explaining to them how the filmmakers created these fantastic illusions that existed outside of reality!" Growing up with this undeterrable passion for the cinema led Aaron to study Motion Picture Production and Film Theory at Arizona State Univsity and U.T. Austin (University of Texas), but it wasn't until the summer of 2002, while living in Carroll Gardens (Brooklyn, NY), that he began to make his living through the movies: "It was pretty wild. Not only did I stumble onto a regular gig writing DVD and film reviews for Premiere Magazine, but I was concurrently being asked to take full reign as manager of an indie video store in my neighborhood." After 16 months of managing the Hole-in-the-Wall Video store, where he increased annual profits from 7% to 31% through creative marketing and unique innovations, Aaron finally got the gumption to reap the rewards of opening his own store. Cinephiliac will build upon prototype business strategies already proven successful for Aaron, such as concentrating on quality movies instead of simply mainstream commercial releases, a previously unmet demand in the area. "The most important thing for me is enlightening people to the vast diversities of film culture they might not even know about. Most filmgoers would rent better titles if they simply knew they existed, things you won't find at Blockbuster, Netflix or an 'In-Demand' cable service. When customers come into my store, I want them to experience the happy medium between film school and their favorite hangout." When he isn't dissecting the works of Jean-Luc Godard or Russ Meyer, Aaron used to take the form of an illustrator, a part-time DJ, a full-blown coffee addict and a doting boyfriend. His latest Premiere reviews are available to read here. CLICK the titles below for pop-up reviews of Aaron's Top Ten Films of 2003: 1. Lost in Translation 2. Spider 3. Lord of the Rings: The Return of the King 4. Pistol Opera 5. Finding Nemo 6. Kill Bill: Volume 1 7. The Man Without a Past 8. Capturing the Friedmans 9. Irreversible 10. Hukkle - Honorable Mention (11-20, alphabetically): All the Real Girls . Bad Santa . Friday Night . Girlhood . The Good Thief . Raising Victor Vargas . The Revolution Will Not Be Televised . School of Rock . Swimming Pool . 28 Days Later If only I had seen them during 2003: American Splendor . Big Fish . Bus 174 . City of God . Cold Mountain . demonlover . Dracula: Pages From a Virgin's Diary . The Fog of War . In America . The Son . The Station Agent . Ten . The Triplets of Belleville . 21 Grams . Unknown Pleasures . Whale Rider - (Dobson High School in Mesa, Arizona [AZ] class of 1995) - the investment opportunities here are a sure thing for investors looking for either small-risk, mid-risk, large-risk vestings, tax-deductible, high interest rates compound (compounded) monthly (that's every month, unless we're The Da Vinci Code cracked by Connie Chung), and GreenCine Daily (GreenCine.com), David Hudson aka D W Hudson is simply the bomb, but Court Street, Smith Street, Columbia Street, and Union Street near Cobble Hill, Red Hook, and Boerum Hill is the place to be for this venture capitalists or should I say venture capital or even venture capitalism! VHS is dead to us rare DVD fanatics, but we will carry all titles by Rainer Werner Fassbinder, Terry Gilliam, Samuel Fuller, Emeric Pressburger, Michael Powell (and Pressburger), Jan Kadar Elmar Klos, film theory and criticism, Robert Flaharty, Cristi Puiu and the Death of Mr. Lazarescu, Werner Herzog World Cup, ecstacy of truth (like the ecstasy of truth), Wim Wenders, Aleksandr Sokurov into Robert Altman, Hal Hartley, Carl Theodor Dreyer (Carl Th. Dreyer), Akira Kurosawa, Takashi Miike, Woody Allen, George W. Bush's favorite aspect ratio, Dorota Kedzierzawska, Francis Ford Coppola, Milos Forman, Home Vision and Image, Cinemascope in 2007, El Topo vs. Jean-Pierre and Luc Dardenne (brothers Dardennes), Larry Cohen, Philippe Garrel stars Louis Garrel, Julien Duvivier, Cult Epics, Hiroshi Inagaki vs. The Chronicles of Narnia (Prince Caspian!), Herk Harvey, David Gordon Green by way of Gaspar Noe, Luis Bunuel, Sergio Leone noir, Bernardo Bertolucci, Michael Haneke is and isn't Hidden (Caché), Nicholas Roeg, Karl Rove, Terry Jones (Monty Python), Philip Kaufman, Fritz Lang, Ernst Lubitsch, IRA terrorism via DV filmmaking, Neil Jordan, Paul Morrissey, Peter Jackson's King Kong meets Andy Warhol in Technicolor (Superman Returns), Spike Lee, David Lean, Jiri Menzel, Peter Medak, Film Bloggers Explode, Mario Monicelli, John Lurie, Tom Waits on YouTube, Jim Jarmusch, Patrice Chéreau, Federico Fellini (they're all naked!), Merchant Ivory, Bill Murray, Allison Anders, 43rd New York Film Festival, Steven Soderbergh or the lovely Coleman Hough, Quentin Tarantino, Alejandro Jodorowsky, Andrei Tarkovsky, Shohei Imamura, Uncle Alfred Hitchcock destroys Lucio Fulci, World Trade Center, Marcel Camus, Robert Bresson, Peter Brook, when little-known Fernando Arrabal returns, Wes Anderson and the Phallic Vagina imagery, Mario Bava, Kevin Smith, director George Clooney, 2006: The Puppet Theater of Paul Thomas Anderson, Cannes Film Festival, Fishkill documentary entitled Fish Kill Flea (coming soon), Ingmar Bergman, Yasujiro Ozu, Shohei Imamura, Noah Baumbach, Aki Kaurismaki, Francois Ozon, grips and gaffters, 9 Songs: Franz Ferdinand, Beat Takeshi Kitano, Marie Antoinette over Satantango: Bela Tarr, Christopher Guest, Asia Argento (completely nude in a blockbuster documentary?), then we ask Albert Maysles, film projectors of 1920, Mitsuo Yanagimachi reads Albert Camus, Peter Weir, Agnes Varda, Jacques Demy in North Korea, Bertrand Tavernier, Heath Ledger in my neighborhood (Douglass Street), Seijun Suzuki, Francois Truffaut, Gregory La Cava, Laurence Olivier, D. A. Pennebaker, Remy Belvaux, Jean Renoir, Sundance devours the South Korean New Wave, Michelangelo Antonioni, every single Japanese Shochiku, Kurt Momberger is M.I.A., Rene Clair, Henri-Georges Clouzot clips, Jean Cocteau, Joe D'Amato meets Rob Reiner, Jean-Paul Civeyrac goes Through the Forest, Carol Reed, Alain Resnais, Bohdan Sláma (Slama), DVD Beaver, Lynne Ramsay (hot sex on the inside), Brian De Palma (Brian DePalma), Sergei Eisenstein, Red State vs. Blue State, Lars von Trier eats Dogville's Manderlay, Osama bin Laden visits Jonathan Demme, Peter Davis, Alex Cox, David Cronenberg, Wong Kar-Wai, Michael Winterbottom, Harry Potter, Jacques Tati portrait of international awards, the nunsploitation of Neil Jordan, Stanley Kubrick, Roger Corman and Funny Ha Ha, Michael Almereyda, Stan Brakhage, Ronald Neame, not from Spider-Man 3: Stanley Donen, The Criterion Collection, Jules Dassin, Jean-Pierre Melville, Aldo Lado is no Dario Argento, Mai Zetterling (Loving Couples), Dobson High School's Merritt Corless, after Ken Pringle tracked me down, Barbet Schroeder, Sam Peckinpah, Kiyoshi Kurosawa, Vilgot Sjoman, Douglas Sirk, a drunken Hong Sang-soo fights a sober Im Sang-soo, Mike Judge goes Blue Underground, Cannes Film Festival videos, Paul Verhoeven, Kankuro Kudo eats John Woo (do you remember Elvis Woo?), Park Chanwook over Preston Sturges and more auteur theory than you Fantoma can shake an F-train--Fahrenheit 9/11, Howard Dean or at. Sooner or later, everyone pictures Michael Moore goes Sexplastic! Well hello, New Video Group or simply New Video (Docurama, A"E, A&E, New Video NYC, Scholastic) Glenn Kenny and Filmbrain and Cinetrix and Christian Parkess and Rob Karimi (Bobby Karimi, sike9!) and Peter Debruge and the cutest, Jennifer Loeber aka Jennifer Exit. Download: http://www.archive.org/download/George_Bush_Doesnt_Like_Black_People/GeorgeBushDoesntCareAboutBlackPeople.mp3 (George Bush Doesn't Care About Black People)